How to enter a theater institute (university, college)? How to enter a theater school, university or institute

To understand whether it is worth enrolling in a theater university, honestly answer yourself a few questions. Do you understand that acting is a difficult and exhausting profession? That their creativity is not always accompanied by recognition and success? After all, there is a time when an actor becomes completely unclaimed. And vice versa: are you ready for constant attention, publicity, lack of free time and personal space? If you rarely go to the theater, have never been behind the scenes, and are not interested in new movies, then most likely the acting path is not for you...

Exams for admission to a theater university

The competition for admission to well-known theater schools is enormous; often the number of people vying for one place exceeds 200. Therefore, universities conduct “auditions” before accepting the applicant’s documents. The qualifying round consists of several stages. This includes reading a fable or poem, song, dance and improvisation. However, you need to be prepared for the fact that at the stage of reading a poem, for example, you will also be asked to sing or dance. There are no strict rules here - the environment is creative.

You need to be prepared for the fact that you may be interrupted, stopped, asked to read (sing) something else. They may also ask various questions: for example, about the content of the work being recited or about your attitude towards it.

It is difficult to name specific evaluation criteria. Here a lot depends on the “master” - the person taking the course, as well as on the school of the theater university. In order to understand which qualities are more valued and which style of acting is preferable, it is necessary to attend performances of the relevant theater in advance.

Preparing for admission to the theater institute

Special preparatory courses are held both within the walls of the university (school) and taught by private organizations. Teachers of good preparatory courses should help you choose a repertoire and highlight your best sides, develop acting abilities: improvisation, emancipation, organic existence within the framework of the stage. Of course, they help you choose and rehearse monologues, fables, poems for admission to drama school. It’s great if the training course also includes sessions with a psychologist, stage speech exercises, proper breathing, choreography. However, the main emphasis is still placed on improvisation, because this is the main thing that people pay attention to when applying.

If you have finally decided to enroll in a theater university, the following recommendations will help in this difficult matter:

• submit documents to all theater schools (universities) in your city at once, this way you will increase your chances of admission;
• be sure to find out who exactly is taking the course, what their requirements, preferences, nature of teaching are;
• attend several performances of a sponsored theater;
• For a performance, prepare not just one fable (song, poem), but several. It is better if they belong to different genres (lyrical, humorous);
• If you have any skills that are not directly related to acting, still mention them when applying. Perhaps you are playing musical instrument- take it with you. Any rehearsal room should also have a piano;
• special attention pay attention to the clothes in which you will appear before the commission. Clothes should be simple and modest, not overshadowing you with their brightness. Girls are advised to wear a skirt medium length. And as little makeup as possible! Experienced actors advise getting used to your stage clothes, putting them on two or three times before going out;
• another important aspect- hairstyle. It is better to remove the hair from the face and open the forehead. Ideal option- bun or ponytail. Bangs are not advisable. It’s easier for guys here, but you still shouldn’t get carried away with styling products;
• On stage, try to behave naturally and at ease. Don’t be arrogant and vulgar, try to do everything the examiners ask you to do, but at the same time be able to defend your point of view;
• in such a matter as acting, you need to clearly feel the “golden mean”. Do not overact, but also be remembered by the members of the commission for your brightness and individuality.

Well, in the end, remember. If you fail, don’t be upset. Many famous and talented actors did not enter the theater university the first time.

It’s difficult to get into a theater university; there’s always big competition, even in the provincial ones, in my memory there were 10-20 people per month, and even in Moscow... There is no point in choosing which one is better: by doing this you only reduce your chances of success. Enroll in all the ones you can complete in one admission campaign; you will choose at the end if you enroll in several at once. First, everyone tries out for admission to Moscow universities. Some provincial universities specially make additional admissions in August so that those who have dropped out of the last rounds in Moscow have time to enroll. The closest one to Moscow time is Yaroslavsky.

As for the reading program, etc... Of course, if you have the opportunity to study in sub-courses, this somewhat increases your chances of success. On the other hand, stories about people who stopped by for an audition on the way to the store and were taken straight to the competition (that’s what the final round of selection is called) are also not uncommon. Such people, first of all, take advantage of the fact that they take the result lightly, do not bother, do not hold back, behave impudently and thus stand out against the background of candidates shaking and stuttering with excitement, who have dreamed of devoting themselves to art since childhood. However, my advice is not to go "for a fool." Firstly, the situations described above occur mainly with young men: there are many fewer of them, and for girls the competition is merciless. Secondly, even if you are generously gifted and made for the theater, in an audition situation you need to demonstrate this in a very short time, like in a commercial, so that the selector’s eye, which has blurred during the day, instantly lights up and makes you stand out from the crowd. If you have not yet had any contact with the theater, then find yourself an experienced tutor (actor), who will tell you how to best present yourself, what repertoire to choose (excerpt, poems, fables, or whatever they are listening to now). Somewhere you may be asked to sing (be prepared for this), if you have any additional skills - musical, dance, sports - prepare a short number that will demonstrate them favorably on occasion. But don't go with your splits and somersaults until you're asked about them. It's annoying.

What else can you do? Inform yourself about the masters taking courses in the year of your admission. Go (go) to the graduation performances, there you will see who they recruited last time))) Consider whether you are like one of the students (this will tell you in what “role” it is more profitable for you to perform at the show). Often masters consciously or unconsciously choose the same types and, for sentimental reasons, will at least pay attention to you if you remind them of someone from the previous course. But this is already lyrics. By the way, many theater applicants are admitted not the first time, but the second and third time, which indicates the important role of experience in this matter. But do not forget that with age your chances decrease: at the age of 20 - 21 you may be told that you are already “old”.

One last thing: don't get too hung up on it. Entering a theater institute also means becoming a stage star. The competition in the acting environment is colossal; every year five Moscow universities graduate 20-30-40-50 people each, of which good theaters only a few get in. Plus, there is also an endless stream of unemployed from the provinces... the provincial theater is a place for the unmercenary with strong nerves. Our cinema, sorry, is in a deplorable state, you are unlikely to get to Hollywood... in short, think several times whether it is worth it, but if the trumpet calls, then go and try. Studying at a theater institute is incredibly exciting. You won’t find such a fun and eventful student life anywhere else (it’s not like you’re sitting at a desk for five years). But keep in mind that you won’t have to relax much. From the first courses, idlers are mercilessly expelled. Classes start in the morning and end in the evening. The course will become your family, skill and stage speech - personal life. The theater university is a sect, an environment of fanatics. If you are ready for this, then good luck. And yes, it's worth it.

The question of how to enter a theater university most often worries girls, which is why during entrance auditions it is discovered that up to 200 people are applying for one place. There are much fewer young men who want to become actors, most likely due to less emotionality and a tendency to act. The leading teacher of the future course almost always recruits girls and boys equally, so it is easier for young people to enroll.

To begin with, let us explain how the word “school” in relation to a theater institution does not always mean secondary specialized education. Much more often in this environment an institute is called a school, so when applying, always pay attention to the full name of the institution. If you decide to devote yourself to the acting profession after 9th grade, then look for an institution that is really a school. And the famous “Shchukinskoye” or “Shchepkinskoye” are institutes.

How to prepare for admission

Your school teachers will tell you how to prepare for general education subjects. Your personal task is to prepare and successfully pass the creative competition. It includes reading a fable, poem, prose passage, performing a song, dancing. Some theater universities ask to show plastic compositions and elements of acrobatics. You must be prepared for any task.

Start by choosing works to read. All literary passages are not selected from the point of view of brightness and popularity; you need to choose what is right for you. If you are a bright and impulsive person, then it is better to read an excerpt from Pippi Longstocking and not pretend to be Katerina from The Thunderstorm. And it’s best to prepare several fables, poems and excerpts from prose, since the commission may not like something specific, and you will be asked to read another work, which happens very often. Prepare several dances and songs as well.

To enter drama school, it is also important to learn how to perform sketches. An etude is a small skit on a given topic, which, as a rule, is determined by the examiners. For example, you will be asked to show how you were late for the train, how you received a letter informing you of admission to the theater institute, how you tore your favorite dress. Try to identify several such topics for yourself at home and rehearse sketches. The main thing is to develop the ability to quickly and accurately respond to proposed circumstances, to include sincere emotions, and not to act out.

• Start preparing not a month before the exams, not even six months. The year is the most optimal time for searching, disassembling material, for rehearsals.
• Find a person who is a professional and has already helped more than one newcomer enter a theater university. An experienced actor or director will charge you some money for his lessons, but you need them to greatly increase your chances of passing creative tests.
• If there is a theater university in your city, then it will run preparatory courses. Be sure to sign up for them and establish yourself in classes as a bright and energetic applicant.
• To enter a theater institute, you need to read a lot of literature on the history of theater - this knowledge will be useful to you at the colloquium, which is held before creative tours in many universities. In addition, you will need to provide USE results in Russian language and literature.

Every year, theater universities in the capital host thousands of people who want to learn from recognized masters of acting. In pursuit of their dreams, girls and boys storm the doors of admissions offices, but sparkling eyes and enthusiasm are not enough to receive the coveted student ID. In a highly competitive environment, admission to future alma maters requires severe requirements. Despite this, the competition remains incredibly high from year to year, and the conditions for admission are overgrown with more and more myths and stories, which can confuse unprepared applicants.

• How to enter the theater?
• What exams should I take at a theater university?
• What do you need to get into drama school?

In order not to fall into the trap of rumors scattered across the Internet, especially for students of the Acting Skills course for applicants, we will consider what requirements the admissions committees of the most rated theater educational institutions in Moscow impose upon admission to the acting department.

General requirements for admission to a theater university:

• First of all, all school graduates are required to provide information about successfully passing the Unified state exam(Unified State Examination) in Russian language and literature. The minimum threshold for reviewing documents: 38 points in Russian language and 40 points in literature. (Separate categories of citizens, which include holders of higher education, foreigners with secondary specialized education in the specialty “Dramatic Theater and Film Actor” and, in lately, permanent residents of the Republic of Crimea or the city of Sevastopol, can apply without Unified State Exam results. For these individuals, higher education institutions conduct their own testing.)
• The standard package when submitting documents also includes a certificate confirming the presence of secondary/higher education, a medical certificate, a copy of the passport and a set of standard photos(usually 4-8 pcs.). Young men additionally need to bring a copy of their registration certificate or military ID.
• The initial selection takes place in April - June, and the main entrance tests are usually allocated to July - early August. The admission process is divided into several stages: consultations - auditions, competitive selection, and in some cases an interview.
• A prerequisite is the absence of organic speech and voice defects.

Features of entrance tests to theater universities:

Higher Theater School (Institute) named after. M.S. Shchepkina

“Sliver,” as this school is often called, is considered one of the most conservative theater schools. In addition, acting is the only area of ​​training here.

The admission process consists of the following stages: selection consultation, 3 stages of pre-examination consultations and entrance exams.
At the screening consultation, the memorization of fables, poems and passages of prose (at least 2 works in each genre) is assessed. If the applicant is interested in teachers, he will be offered to take a “professional aptitude exam.” A prerequisite for passing this round is the performance of 2-3 songs or romances; in some cases, they may be asked to perform a dance. It is also possible to assess knowledge of acting, speech culture, plastic arts and an interview (topics: culture, art, politics, social life, international situation etc.).

Theater Institute named after Boris Shchukin

An applicant for the specialty “Dramatic Theater and Film Actor” must first successfully overcome three qualifying rounds, for which it is necessary to prepare 2-3 fables (one of them must be by I.A. Krylov), 3-4 poems and 2-3 fragments artistic prose. And only after this are the results of exams in general education subjects, creative and professional tests assessed.
Be prepared to perform a reading program, participate in sketches, and show your musicality and flexibility.
As a test of professional orientation, an interview is conducted, for which it is advisable to familiarize yourself with the list of references presented on the official website of the school.

Russian University of Theater Arts - GITIS

The first thing to remember: RATI-GITIS is independent educational institution, i.e. it does not belong to any theater, which distinguishes it, for example, from the Moscow Art Theater School. Thus, there is no single school at the university: the specifics of training depend on the studio or workshop.
For the full-time department, selection takes place in 3 rounds, after which the applicant is allowed to take entrance exams (2 creative tests: acting skills and an interview).
For the audition, you should prepare short excerpts from the following literary genres: fable, poetry, prose, monologue. You should pay attention to both classical and modern domestic and foreign literature. In addition, the selection committee will pay special attention to the ability to improvise: for example, committee members may offer to act out a small simple skit, sing a song or perform a dance right on the spot.
As for the interview, it is designed to assess your level of culture and knowledge in the field of arts. However, prepare for a possible change in the topic of conversation: they may ask about the characteristics of the theatrical process or start talking about family, parents and hobbies. On the official website of RATI-GITIS in the section “Information for applicants” there is a list of required reading works that you should familiarize yourself with.

Moscow Art Theater School

Qualifying auditions are traditionally carried out in 3 stages. It is necessary to prepare in advance an interesting program consisting of 3 passages of prose, 3-4 poems and 3 fables.
The following entrance tests are conducted for the specialty “Acting Art”: creative and professional. There is no interview.
Performance is assessed at a creative competition literary work(poem, fable or prose), it is recommended to prepare the performance of several fragments from different genres. There are no special preferences for choosing material.
During the professional test, the applicant undergoes a test of voice and speech, musicality (singing a song, performing rhythmic exercises) and plasticity (dancing, performing plastic exercises and coordination of movements). You must bring sportswear and shoes to this type of exam.
Among the peculiarities of admission to one of the most popular performing arts schools is that the admissions committee takes into account the individual achievements of applicants - confirmed by relevant documents - and awards additional points for them. However, only one achievement is taken into account - having a certificate of secondary general education with honors.

All-Russian State University of Cinematography named after S. A. Gerasimov

VGIK also trains students in the specialty “Dramatic Theater and Film Actor,” but the Institute of Cinematography places a special emphasis on training future film and television stars. Therefore, if you prefer television and film shooting to the theater, then it is preferable to submit documents here.
Creative tests are carried out in 3 rounds: photo and video tests, a professional test (reciting a poem, fable or prose by heart, testing musicality and plastic skills) and an individual interview.

As you can see, the stages of admission to the main universities of the capital are practically the same:

• several rounds of pre-exam auditions
• main entrance tests, which include assessment according to two criteria: professional skills and academic results.

For those who want to prepare in advance for all unexpected tasks admissions committee and choose your program to complete creative competitions, we offer training in acting courses for those entering Moscow theater universities at the “Your Stage” studio.

The classes of this course focus on acting and stage speech, and carry out the selection and analysis of literary material.

So, let’s say you are an applicant and flasks, beakers, test tubes along with numbers and logarithms do not appeal to you. What should you do and where should you go? Oh, you've probably heard about creative universities, the famous "Shchepka" and SPBGATI.

Even if you are not an applicant, but a fully established adult, then at least don’t lie to yourself, and honestly admit that you wouldn’t mind exchanging everyday life and routine for your rightful fifteen minutes of fame and public applause, at least once.

Creative trends in one way or another seduce everyone, because only here you can be an astronaut, a chemist, a writer, a spy with a fatal beauty, or the fatal beauty herself five times a day, while remaining known and loved. For some people this happens in childhood, after the first failed entrance exam, for others it stops at the level of their companies and corporate competitions in production, but someone goes for life where it would never even occur to a normal person, namely, into art.

How is studying at a theater university conducted? Oh, very simple and difficult at the same time.

First you must go through entrance test. It takes place in several stages, depending on the focus, but you will always read a fable, a poem, a prose of your choice, or everything in a row, and during the break you will chat about life with the admissions committee. Be prepared that you may not be asked about art at all, and this will be normal.

What you will see at the applicant, in front of the selection committee, namely: memorizing roles, flying people, acting out skits and other standing on their heads in the corridors - in a word, all this should in no way surprise or alarm you. If this happens, then it’s a lost cause - you have nothing to do here. But don’t be discouraged, you won’t be alone in this, because according to statistics, out of 30 who entered the workshop (and this is the only way to learn directing and acting), only 10 people will reach the point of receiving a diploma, and even then in the best case scenario.

This happens for the very reason that many of those who entered do not fully understand that the talent they have needs to be developed.

A master, that is, a person with experience, passes it on to his students. He may ask to come on Saturday or even Sunday. And not for an hour or two. And from morning to evening you will have classes with a master, and then even without him. Of course, not everyone can withstand such a pace purely physically. Try playing chair yourself seven days a week, that’s the same!

Moreover, it should be understood that standard subjects such as history with English no one canceled it either, but there is one nuance here - display priority. At the end of each semester, students must present their skills to the public and show them to the rest of the department; if something doesn’t fit with the rehearsal schedule, and the English teacher “doesn’t allow him to create,” then the whole course can cause him a riot and unanimously ban him from attending of this subject. How to deliver it is another problem, but display is paramount. To be fair, it should be said that standard teachers understand this and for the most part do not bother students much; In extreme cases, you can negotiate through the master.

As you already understand, the course is called a workshop because it is supervised by a master. This is very important and determines the further development of a young actor/director, which is why in articles about famous people on Wikipedia it is sometimes written who his master was.

The training itself over five years is as follows:

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1st semester - introductory. Students perform sketches. This is where chairs, socks, dumplings and other dandelions play. Here the basics are set. In the future, it develops or not. Those who immediately realized that this was not for them go into mathematical engineering.

2nd semester - circus. Students learn circus art. In short, the same “Circus with the Stars on First”, only without the stars and ORT. Juggling, clownery, illusions, a parody of the circus. That's all. Many thought that it would be easier, but they can’t stand the flashing of tennis balls and also leave.

II course

3rd semester - fairy tales. Everyone chooses for themselves a short story, or better yet, an excerpt from a well-known one, and puts it on. This is more serious, but so that life doesn’t seem like honey, so that no one runs away and goes to a corner to do something on the principle of “each to his own,” the course receives one fairy tale for everyone, which will be a general course and for which it is also necessary to set aside time, which, as you know, is always not available .

4th semester - stories. The same principle as with fairy tales, only there are fewer people on the course and the workload is greater. The only difference is that the general course story is not staged everywhere, and the dramaturgy of everyone and everything should not be too serious.

III course

5th semester - musical. Briefly it looks like the previous work, only here you still need to sing (or at least hit the notes), learn the clavier and much more to “get into” the genre. If for some reason you have not yet left the workshop, then this is your last chance to do so.

Term 6 - drama passage. In essence, this is the same story, but with more emphasis on the game and the dramatic component. Betrayal, murder, suicide, years spent aimlessly, betrayal of loved ones and the soul inside out, that’s all. Everyone who wanted to has already left, the rest who couldn’t cope will be carried off the stage with a massive heart attack and so on.

IV course

7 and8 semesters - are preparation for the diploma general course performance, that is, to a full-fledged two-act action with a ten-minute intermission to ventilate the hall. Depending on the workshop and the direction of training (director, actor, director-producer, director-actor), you can make such performances from one to several. It is clear that to do such a trick in two semesters and not give up is a utopia in pure form, therefore, in some courses they begin to do this already from the fifth or sixth semester and sometimes continue in the fifth; in some workshops they usually put on stories first, and then fairy tales, everywhere in different ways, but the first course is definitely unchanged. It is also true that a graduation general course performance is an admission to passing one’s diploma.

V courseGraduation performance. Everything is simple here - each student submits his graduation performance, writes a paper on it on one hundred pages and receives a diploma. Or doesn't receive it; but more often than not, it still gets it, because only those who are in the know are left here.

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Agree, the difference from solving logarithms is that the result here is unknown, but that’s the beauty of it. It's all up to you. In art, two and two are five and eight and sixteen at the same time. And sometimes the root of minus the first degree.

Theater is a voluntary dictatorship. Only in a theater university can they study until 22:00, the rector can issue a decree that everyone should be driven out with a nasty broom after that, and students don’t want to leave even with walk until 4 am (by the way, a real fact).

Just like that. And you think that everything is simple: go out, play, stage.

Next time I’ll tell you about this in more detail, I’ll start with how they hand over theater exam. Believe me, Shakespeare never dreamed of this.

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