Latest interiors of modern public buildings. Design of public spaces. The cost of developing design projects for non-residential premises

public interior

The concept of "public interior" is extremely capacious, since it includes a wide range of objects for the efforts of designers: from the interiors of state institutions (starting with offices of social services and ending with the front interiors of the Kremlin) to interiors of commercial real estate (from a flower shop to luxury hotel apartments) . In this case, interior design is everything, it is in itself a product offered to the attention of a potential guest. There is no greater variety of styles and interior concepts, from historical to exotic, than in hotel interiors. A successful design also determines the consumer qualities of the hotel business service - in a cozy, psychologically comfortable environment, the guest wishes to stay longer - “they don’t look for good from good”.

The original interior design is the success of cinemas, restaurants and clubs.

Memorable interior design is the key to the success of bars and clubs, from English style to techno style - this is the range of designer activities in this business area. But in the restaurant business, it is generally accepted that the success of the establishment is created by the kitchen, although the original and benevolent design of the shop window and the entrance group rather than the smells of the kitchen helps to lure the client into the restaurant. The role of interior design in luxury trade is quite high, when boutiques compete with each other in the ability to attract the attention of a sophisticated client with a pronounced stylish interior of the store. The design of stores owned by large retail chains, especially international ones, is unified, its role in ensuring sales is low, and affordable prices of goods are the key to sales.

Office interior design

The tasks and significance of office design in various areas of commercial activity are diverse. For example, success in the banking sector requires the presence of a solid office in a classic style, which is confirmed by the widespread acquisition of historical buildings by large banks for offices. This process benefits both banks, raising their prestige, and buildings that receive a worthy restoration within the limits permitted by law and a decent subsequent maintenance. The designer is not the last figure both in the process of restoration and in the interior decoration of mansions. Commercial firms engaged in trade and intermediary or technological activities are also trying to decorate offices with some frills, a stylishly designed office is evidence of business success. It is here that we meet samples of office space design in an ultra-modern high-tech style.

Another thing is the offices of state institutions. Citizens have to visit the public places of state institutions, regardless of whether they like the design of the institution or not. For example, a citizen will visit (and maybe more than once) the office of the state pension fund and spend a lot of time there, regardless of whether the interior design is pleasing to the eye, and even regardless of whether there is somewhere to sit down while waiting or you have to stand in the corridors for hours. But this does not mean that the designer has nothing to do in such institutions. Its task is to create an environment in the office conducive to the mobilization of employees and increase the efficiency of their work by re-planning the cabinet system into an open-type office (common room with separation of workplaces by transparent partitions) and to offer a competent color solution for interior design that can create a comfortable psychological environment for both employees as well as visitors.

Creating a benevolent comfortable interior is a common task for designers in the arrangement of the premises of state social services and, especially, state medical institutions. It is clear that the budget interior will be stricter and more modest than the interior of a private clinic, or, say, an alternative medicine salon, decorated in ethnic style and furnished with antique furniture, but the ability to arrange a room that is “correct” from the point of view of psychodesign, the interior of which contributes to the positive mood of patients, in conditions limited budget funds - this is evidence of the high professionalism of the designer.

A separate story is the design of the offices of heads of state institutions. In this case, the main task of the designer is to convince the owner of the office to give up excessive ostentatious luxury and confine himself to an interior in the style of reasonable functional minimalism.

Interior design of cultural institutions

The designer faces a special task of creating a highly artistic unique image when decorating the interiors of public institutions that are visited by thousands of people - cinemas, concert and memorial halls, museums, libraries and other cultural institutions with a socially significant civil function. Such public buildings, designed for the simultaneous stay of a large number of people, usually have a hall layout with load-bearing columns, pilasters and arches, which opens up a wide field for the designer's imagination. Using a variety of expensive finishing materials (natural stone, precious woods, etc.), the designer creates a building that plays with the tectonics of the structure. An example of such an approach to choosing a figurative interior idea is the design of the Moscow International House of Music on Krasnokholmskaya Embankment (2002), the interior of which is dominated by architecture itself, its plasticity and proportions. The solemnity of such interiors can be emphasized by the use of works of monumental painting and sculpture as decor.

Restaurant interior design

Investors and managers who invest in the restaurant industry understand that two factors are the key to success in this business: cuisine and successful interior design of the institution. You can even prioritize in reverse order, because in order to taste what is served in a restaurant, you must first want to go into it, that is, pay attention to the design of the shop window and the restaurant entrance group, feel interest in what is inside and not be disappointed at the sight restaurant hall, but want to sit down at the selected table and order something.

The demand for an institution largely depends on how it is designed, and a well-executed interior of a public place in a modern style can significantly increase its popularity. The appearance of pictures of such an interior in a fashionable design magazine leads to an instant increase in the rating of a restaurant or hotel.

It is clear that the interior of a private house or apartment is created based on the preferences and wishes of the owner. But how to arrange public interior in modern style if it is impossible to predict the changing tastes and moods of society? Designing the interior of a public place is a difficult and risky task, because the success of an institution as a business project will directly depend on it, and the most prominent representatives of this dependence are trendy nightclubs, discos, SPA-salons, sports bars, fitness centers, fashionable restaurants and hotels.

Create modern style in public interiors- the work is time-consuming and at the same time very interesting for both the designer and the customer. First of all, you need to decide on the general style and color scheme, whose influence on the opinion of visitors is the most significant. A lot depends on a clear correspondence to the functional purpose, competent formation of space, proper zoning, good lighting and easy navigation.

making out modern public interior it must be remembered that a single style of signage and interior is a prerequisite for the success of the enterprise. The interior is considered complete, combining bright originality, magical appeal and economic practicality. The overall impression should evoke only warm positive emotions in the guests, and then the attendance and success of this place will grow steadily.

Little subtleties of creating a modern public interior

Our time is distinguished by an increased demand for creative author's design of public areas, and today civilized, modern public space interior not a luxury, but an absolute necessity. Leaving the house, where everything is arranged according to his will, a person subconsciously tries to visit those public places where he will feel no less comfortable. Understanding this trend, the owners of boutiques, large offices, representative offices of large companies and administrations invite experienced professionals to choose the style and interior design.

A variety of styles allows you to choose the most suitable for your institution to implement the main idea. Depending on the purpose of the public space, it may be the Victorian style of an English men's club or the glamorous public interior of a beauty salon or fitness center.

Supporters of natural pure materials and a calm interior will certainly be interested in cold Scandinavian projects, and exotic lovers will like Japanese, Arabic or African design motifs. Youth clubs and discos still prefer trendy "art deco", "hi-tech", "modern" and "techno", but there are very interesting options in the classic style and even "ethno". Only thanks to non-standard style and fresh modern design, newly opened establishments can successfully compete with well-known and promoted rivals.

Public place security

Guaranteeing the client an exclusive and recognizable public place interior in modern style, we must not forget that a large crowd of people can be in the room at the same time. This imposes a huge moral responsibility on the performer. It is absolutely unrealistic to cope with redevelopment and all kinds of calculations, to coordinate them with modern security requirements without architectural education, practical experience and special training. Giving the project for development in the reliable hands of professional designers and architects, the customer receives a guarantee that all the details will be provided for, and the technical requirements are met.

As a rule, such projects are carried out not by one person, but by a whole team of specialists. Its representatives, having considerable personal experience, continuously follow the latest trends, visit specialized exhibitions both in our country and abroad. With their help, every feature of the room will be thought out, the expected load will be calculated, and with this in mind, reliable, non-combustible, wear-resistant materials and plumbing will be selected.

The purpose of the interior of public buildings (theater, library, etc.) dictates the choice of original architectural, artistic, constructive and decorative means of constructing the interior space.

After all, the design of a building intended for sports, for example, differs significantly from the building where theatrical performances take place or trade operations are carried out. Uniqueness gives rise to the difficulty of design and construction, obliges the designer to look for an expressive image of each such structure. On the other hand, the construction of public buildings according to standard designs makes it necessary to diversify the interior decoration, to use details of individual execution inherent in regional characteristics and national traditions. In this case, it is possible to create a memorable public building subject to a creative approach, the search for original expressive means.

Knowing the requirements for the interior of public buildings, let's try to understand the general principles of their design. The dimensions of the building, its tectonic variant, figurative structure will determine the parameters of the halls, rooms, vestibules and the main volume, for the sake of which a particular structure is created. The ratio of all internal spaces will be maximally subordinated to the purpose of the building. For example, a theater should have a ticket office, a vestibule, a cloakroom, a foyer, an auditorium and a complex of artistic and auxiliary premises, rehearsal rooms, and a stage box.

Options for compositional solutions inside buildings can be different: this is the construction of a room in depth, along the axis (theaters), it can be deployed frontally (stations), sometimes rooms are located on both sides of the corridor (hotels). In addition, the plan is sometimes dictated by the characteristics of the area where construction is being carried out.

There are several methods for grouping rooms: halls of the same type are placed on one floor, differing in size from the previous ones - on the next level, small rooms are located around the main volume, and finally, a separate building is built next to the main complex, for example, a school gym.

Often, internal spaces are separated by partitions, screens, furniture, flights of stairs. All these structural elements provide the functional purpose of the premises and at the same time artistically decorate the interiors.

The above methods and principles of space organization are applicable to all buildings, including standard structures. In specific types of premises, there is the possibility of using other ways of organizing space.

Original planning ideas are not an end in themselves. They are the result of architectural searches aimed at improving standard solutions, or the latest technological opportunities that have appeared: building and finishing materials make it possible to improve old projects. It is important to be creative in using existing experience.

We will follow the specific features of the structures with examples.

A group of theaters, cinemas, concert halls, united by a spectacular function, but all these buildings have a specific purpose, which dictates the principles of organizing the internal environment. Halls also differ in capacity: some are designed for dozens of people, others can accommodate thousands of spectators.

Foyer of the Sunstar cinema in Rosario, Argentina

Universal cinema and concert halls combine the possibilities of showing films, theatrical performances, and holding ceremonial meetings. Visibility from seats, acoustics, general and special light are carefully calculated. Film screening puts forward additional requirements: conditions are needed for the demonstration of ordinary, widescreen and widescreen films. At exhibition complexes, there is a need to demonstrate several films at once, up to a circular viewing. The introduction of stereo display, the use of laser technology, holography complicates the equipment, and this poses difficult tasks for architects, artists, designers when developing projects for buildings and their interiors.

In addition to the laws of planning, it is desirable to take into account age-related features. For each of the age groups, it is desirable to determine the size of furniture, information and exposition stands. Interiors should be saturated with light, sun, bright colors, greenery, flowers, music.

Libraries are widespread objects of culture and education. This is not a dead warehouse of manuscripts and books, but a constantly moving center of deep ideas and knowledge. Therefore, the system for storing the available units of information is designed to best ensure functional processes, the prompt search for materials that the reader needs.

The optimal mode is provided by a rational volume-spatial and technical solution. Increasing attention is paid to automating the delivery and search of books, the use of more compact media such as microfilm. High hygiene requirements include sound attenuation and air exchange. The interior design of the reading rooms meets not only their functional purpose, but is distinguished by rigor and beauty.

The functional purpose of enterprises determines their design. Restaurants and cafes provide for the placement of dance floors, stage, jukeboxes, and tape recorders. When planning, the service system is taken into account - by waiters or visitors themselves. There are many examples of successful artistic solutions. Recently, halls have often been arranged in reconstructed buildings. Increasing attention is paid to thematic design: in some cases, works of folk art, utensils, furniture from tree trunks are used - everything that creates coziness, extraordinary atmosphere, increases the aesthetic value of the interior.

In organizing the environment of catering establishments, special attention is paid to artificial light. At the same time, a decorative effect is carefully thought out, which can be achieved using a variety of forms, methods for making decoration of ceiling lamps. It is important to take into account the mutual influence of light and color. The frequent use of light in combination with shades of blue, blue, green and white emphasizes the cleanliness of the premises, but at the same time visually changes the color of the food, which may make it seem inedible.

Hotels, although they belong to the category of guest houses (dwellings), perform the functions of public buildings, they provide lobbies, consumer services, premises for trade, restaurants and cafes.

Modern guest complexes are the decoration of the city, and the decoration of their interiors is of particular importance. This is understandable: according to housing, the visitor makes an opinion about the owner. Therefore, here you can often see works of folk art, the work of the best masters.

A similar function is provided by rest houses and creative houses. There are zones for creative communication, which is important for the life of a professional. This appointment dictated the construction of the Houses of Architects, Journalists, Theater and Cinematographers.

We all go to stores, make purchases, examine goods. For this, there are book, manufactured goods, household, food outlets. Their purpose dictates the set of equipment, the nature of the layout, the service system. In order for the buyer to be able to choose goods with a minimum expenditure of time, counters and showcases are made in stores, on which trade items are laid out.

The great merit of the organizers of the interior space of shopping centers is in universal service. The designer seeks to attract the attention of buyers to the counters, shop windows. The remaining elements of the space are made modestly, with the exception of panels, decorations, and lighting. Thoughtful placement of modern equipment, showcases, workplaces, service personnel, contributes to the cultural organization of trade.

Now let's go to the station. He lives, a hard worker, tensely, without respite. The traveler is in a hurry to get on the flight, the porter habitually drives the cart, the postal electric car is busily chirping. Landing announcement. It is necessary to sell tickets without hustle, feed hundreds of departing passengers, give an exhaustive answer to a passenger who does not understand something, take it for safekeeping and return things by the time ... Can you list everything!

King's Cross station in London

Vehicles: air, sea and river liners, intercity and local buses, trains - form a powerful channel for the movement of human masses, stopping at transit stations and final points. The complex interweaving of technical capabilities in the equipment of stations and passenger requests - all this is taken into account when organizing the internal space. The interiors should accurately orient passengers, since among them there are many who are at the station for the first time. To this end, the spaces are freed as much as possible from everything that can be directed along a different route, laid at a different level, installed in the adjacent main span, or generally taken out of the building. This applies to utilities, premises, human and traffic flows.

For this, artistic means are also used - the clarity of the space-planning composition, visual connection with neighboring volumes, open levels and mezzanines, on which what is happening around is clearly visible. Visual communications, color codes, highlight the most important directions, help passengers navigate.

As for the type of transport, this side of the design is not so significant in solving the interiors of stations. Multi-axis deep composition is found at major railway stations. One-way orientation is more often done for transit small stations. Island or two-way orientation is inherent in bus stations. The clarity of the construction of the main hall or waiting rooms is a mandatory rule for all objects without exception.

Marine stations may differ in layout, setting relative to the coast, but the general principles are similar for all. The capacity is different: it depends on the tension of the lines. Since buildings are an important part of the face of the city, architects strive to emphasize the significance of the complex, to expand the number of its functions. To do this, the building includes tour desks, cafes, restaurants of urban importance, a network of viewing platforms and walking terraces is being developed.

River stations of large ports, as a rule, are designed for a large number of passengers. Most often, these buildings are located so that passengers have the opportunity to see the expanse of water surrounding the port landscape: cranes, boats, ships. Marine painters decorate the walls with decorative panels and genre paintings. The interest of even the most demanding viewer will be attracted by the magnificent panels of the Kyiv river station.

Expositions and exhibition complexes are arranged both in large-span special buildings and in any premises adapted for these purposes. Here it is appropriate to recall some pages of the history of EXPO - this is how international exhibitions are called: over the years, sufficient architectural experience has been accumulated, the essence of which is manifested not in the external effect of the exposition, but in its internal persuasiveness, emotionally and expressively revealing the achievements of peoples.

The first world exhibition took place in Hyde Park, London in 1851. Its motto was the call: "Let all peoples work together on the great cause of human perfection." In the future, a short formula of reviews becomes the rule. The peculiarity of the exhibition, its architectural triumph, was the Crystal Palace, built according to the project not at all by a specialist, but by gardener Joseph Paxton. The building was erected from glass and metal with a size of 564X125 m as a greenhouse.

The Crystal Palace by Joseph Paxton from an 1851 photograph

Everything here was new, specially made for the show: cars, handicrafts, French tapestries, Tunisian carpets, Russian dishes made of malachite. There was no lack of entertainment, which attracted a large number of people to London.

For the exposition, a well-thought-out route, skillful disclosure of climactic points is important. Theatrical effects are acceptable: light, color, music. It is these tools that are used by recognized master designers.

Exhibition halls involve the change of exhibited products. But the general appearance of the interior plays a significant role. Shields have a strict form, the nature of the material used, as a rule, does not pretend to be an external effect. Everything is aimed at viewing works of art.

One should approach the formation of museums very responsibly. The Hermitage, the Russian Museum, the Tretyakov Gallery, the Catherine Palace in Pushkin, the Louvre in Paris, the Leonardo da Vinci Museum in Milan are world famous. Their interiors themselves represent amazing creations of architects. Masterpieces of art, archaeological finds, utensils, and samples of technology are demonstrated here.

Sometimes in museums the main focus is the design of small forms. For example, shop windows are designed in such a way as to best show all kinds of relics: jewelry, dishes, knightly armor, coins. The atmosphere of the era is recreated in the halls. For example, magnificent interiors appeared before the eyes of visitors to the Menshikov Palace in St. Petersburg after its unique restoration.

Detail of the main hall of the Menshikov Palace on the University Embankment in St. Petersburg

The State Hermitage Museum is a monumental exhibit of the beautiful architecture of the palace. Outstanding architects - Rastrelli, Delamotte, Felten, Quarenghi, Rossi, Montferrand, Stasov, Bryullov, Stackenschneider, Efimov and Klenze devoted their talent to creating a majestic monument. After a hurricane fire in 1837, in almost a year, the main interiors were recreated by the titanic work of Russian craftsmen. In incredibly difficult conditions, V.P. Stasov headed the work. The architect not only organized restoration work, but also improved the creations of his predecessors. Innovative designs, previously unknown in the world, have been developed for floors. Main staircase, small and large entrance halls, Armorial Hall. The Portrait Gallery of 1812, the St. George and Field Marshal's Halls, the Pompeii Gallery - this is not a complete list of the brilliant spaces created by the famous architect.

The Nevskaya and the large suites with magnificent parquet, wall molding, gilding, painted plafonds, gold-embroidered coats of arms and damask wallpaper, mirrors are filled with a creative arrangement of decor. The Pompeii Gallery, completely created by the great V.P. Stasov, delights.

The military gallery of 1812 also appeared in a new brilliance. Created by Rossi and recreated by Stasov, she was a masterpiece of art. The vault was painted by painters Yakov and Vasily Dodonov, sculptors Alexander Terebenev and Nikolai Ustinov made stucco decoration. Numerous decorations were made by sculptors headed by Timofey Dylev. The gallery, designed under the influence of Russia's victory in the Patriotic War of 1812, spoke about the heroism of the people. The post-war years were characterized by a brilliant flowering of architecture and art. The triumphal arch of Rossi on Palace Square, the Alexander Column, together with the museum hall, captured the feat of the Russian army.

At all times, the role of museums has been given great importance. Back in the 18th century, J. L. David said: “Make no mistake, citizens, the museum is by no means a useless collection of luxury items and entertainment that can only satisfy curiosity. It must become a serious school. Teachers will send their young pupils there; a father will take his son there At the sight of brilliant creations, the young man will feel how those abilities for the sciences or art that nature has breathed into him will light up in him.

Visiting museums is always a holiday. Their exhibits expose the moral layer of feelings, keep the memory of the dear past of the native land, its culture. Therefore, the interior design of museums is a matter of special concern for architects and designers.

Course work

"Public interior design"

PM 01. MDK 01.01. Design engineering

Completed by a student

group 14-D-3

Glazunova V.R.

Checked:

Lebedkin L.A.

__________________________

Kaliningrad

2015

Introduction. 3

1. Design features of the design of the public interior. four

1.1. Special requirements for public interior. four

1.2. Public interior design styles. 5

1.3. Textiles in the public interior. 9

1.4. Greenery in the public interior. ten

1.5. Furniture in the public interior. eleven

1.6. Lighting in the public interior. fourteen

1.7. Finishing materials.. 15

2. Current trends in public interior design. 19

3. Artistic and design part. 21

Conclusion. 22

List of used sources. 23

Introduction

Purpose: To create a public interior.

Task: To study all the theoretical material for creating a public interior.

In the process of designing a public interior, it must be taken into account that the interior of public places should be designed for the mass consumer, taking into account common tastes and interests. At the same time, all interior details must be designed in such a way as to provide maximum comfort to visitors to the institution.

It is necessary to start designing the interior of a public building, first of all, with a functional diagram and preparation of sketches, on which all the main elements of the interior appear: from large details to decoration elements.

Design features of public interior design

Special requirements for public interior

Premises in administrative buildings, as a rule, comprise the following main functional groups:

a) management offices;

b) working premises of structural divisions of institutions and organizations;

c) meeting rooms and (or) conference rooms;

d) premises for information and technical purposes, including: technical libraries, design offices, archives, premises for information and computer technology, etc., depending on the design task;

e) entrance group of premises, including: vestibule, vestibule, cloakroom, pass office, security premises;

f) premises for social services, including: premises for public catering establishments, medical services, sanitary facilities, amenity premises for maintenance and operational personnel, sports and recreation facilities, etc.;

g) premises for maintenance of the building, including: repair shops, storerooms for various purposes, etc.;

h) rooms for engineering equipment, including: ventilation chambers, switchboards, etc.

The composition of the premises, their area and functional relationship in the buildings of institutions are determined by the customer in the design assignment and (or) in accordance with the design standards given in the codes of practice for the design of various types of buildings. The composition of the premises of functional groups a - d and g in institutions is established in the design assignment, and their area is determined by departmental or technological standards, while it should be borne in mind that one employee in the premises of functional group b should have at least 6 m 2 excluding area designed to accommodate office equipment. The composition, equipment, including the number of plumbing fixtures and the area of ​​​​the premises of functional groups, are determined taking into account the standards established in SNiP 2.08.02 and SNiP 2.09.04.

The composition and areas of specialized premises of buildings of credit and financial institutions, banks, judicial and legal and other institutions are determined in the design assignment, taking into account departmental standards and (or) sets of rules.

The height of the premises from floor to ceiling must be at least 3 m. In small offices located in the volume of residential buildings, and in factory offices located in administrative buildings, the height of the premises may correspond to the height adopted in these buildings.

The height of technical floors should be taken taking into account the equipment to be placed, engineering networks and their operating conditions; at the same time, in the places of passage of service personnel, the clear height must be at least 1.8 m.

When designing buildings, the fire protection rules for people and buildings contained in SNiP 21-01, as well as additional fire safety requirements established in SNiP, due to the specifics of administrative buildings, should be applied.

Public interior design styles

The specifics of the design of public spaces is significantly different from the design of private interiors. The designer is faced with circumstances when it is necessary to competently develop a project and take into account the features of a room where a large number of people can be at the same time and constantly. In such a space, everyone, without exception, should be comfortable, psychologically comfortable, and safe.

First of all, it is necessary to correctly plan the space, taking into account the direction of activity and in accordance with sanitary and fire safety standards, as well as taking into account ergonomic standards and safety requirements. However, in addition to these mandatory standards, for each type of public space there are a number of factors that allow you to choose the most effective zoning options that meet the requirements of the customer and the purpose of the premises.

Secondly, the style in which the interior of public spaces will be made must have some universality, i.e. the ability to please a wide range of visitors. That is why, when choosing a style, a wide range of parameters is evaluated - such as the purpose of the room, architectural features, who will be in this room, for how long and for what purpose, as well as a number of other important factors.

Avant-garde is a bright, daring direction that breaks with tradition and standard thinking. This style became a sign of the revolutionary aspirations of the youth of the early 20th century, and at the same time, the avant-garde also appeared as a kind of cultural and aesthetic challenge that claims to create a new art. That is why such a designation of the new direction was chosen - "avant-garde", which meant "going ahead" or "vanguard". Avant-garde operates with pure colors - white, black, red, yellow, green. In one room, several contrasting colors can be used at the same time, which will contribute to dynamics and expression. Moreover, the contrast can occur not only between the walls, floor and ceiling, but already in the color decoration of the walls. For interior decoration in the Avant-garde style, the latest finishing materials are used: glass wall papers, decorative plasters, metallized wallpapers, new paint and varnish compositions, laminated coatings, etc.

Furniture should also be a kind of experiment. The shape can be strictly geometric, with clear contours without unnecessary details. Avant-garde avoids small decor and decoration. Furniture made of metal, wood, glass is perfect for the interior. Along with clear shapes and structures, completely shapeless objects, such as huge cushion chairs, will look especially impressive.

In the spirit of the avant-garde - unthinkable designs - hanging beds or low beds without legs.

Hi-tech (from high technology - high technology) refers to cutting-edge styles. It was born in the revolutionary 60s of the last century, the designers of that time were inspired to exploits by representatives of the architectural trends of the 20s and 30s, especially the constructivists.

High-tech interiors are a harmonious combination of space and light, the shape of objects and their colors, plus ideal proportions. In color and material, this style has no special preferences.

The interiors of this style are distinguished by clarity and concreteness, efficiency. There are no drawings, no decorative elements either. Wall, ceiling and floor surfaces should be perfectly smooth and clean, and, accordingly, furniture, fabrics, dishes should also be smooth and shiny.

In such an interior, everything light, with clear geometric shapes, will be appropriate. Well-chosen chairs, armchairs or a sofa made of chrome-plated metal and leatherette look very stylish, practical and comfortable.

Instead of a cabinet in a high-tech interior, it is better to place shelving modules with closed and open sections. All metal elements of furniture and fittings should be silver, shiny.

Fusion - style, as a result of the influence and interaction of different cultures, traditions and technologies, allows you to mix everything in everything, achieving harmony between heterogeneous objects and elements. Without denying the old canons and, at the same time, offering its own rules, the uninhibited style, the main principle of which is the free synthesis of color and material, borrows all kinds of elements and develops the logic of the collage.

Saturated, even defiant colors are considered stylish - crimson, green, turquoise, gold, inky blue, red, orange, black and white. It is important that harmony be observed.

For a favorable presentation of the interior, spot lighting is used. Table lamps, sconces, floor lamps, candles and lighting in furniture cabinets create non-standard compositions, playing on the nuances of lighting.

The texture of the finish is another distinctive feature of Fusion. Preference is given to textures characteristic of wildlife, such as the skin of a zebra, leopard or their imitation. Items made of precious metals with natural materials, balusters, a fireplace with an adobe chimney, improvisation of expensive furniture and silk draperies give a special charm to the interior. Textiles in the interior are one of the main tools of Fusion, because muslin curtains and heavy curtains, pillows and carpets can quickly transform a room. The key features of the style are a sense of proportion and good taste in the selection of details, as well as courage in combinations.

Non-standard and emotional, strange and redundant Fusion style is a real masterpiece of decorating art. It is popular among people who are free in self-expression and who seek to turn dull everyday life into a daily holiday.

It is worth recognizing that the competent design of a public space is already half the success. That is why experienced experts strongly recommend involving professionals in the design of public spaces. A competent approach to the organization of public space allows solving two main tasks of any public structure:

1. Provide a comfortable stay in the premises of visitors to the institution. Attractive and ergonomic design will always attract the attention of new customers and encourage regular visitors to return to their favorite place to relax and meet friends every time;


2. To create the most functional space for the effective work of public premises staff. Depending on the specifics of non-residential space, each square meter of usable area is worked out from the point of view of the most effective interaction of staff with each other and with customers.

Office decoration

The workspace must necessarily harmoniously combine several important parameters at once:

1. Functionality - will optimize business processes in the company, providing easier interaction of employees with each other;
2. Practicality is one of the main requirements for the design of non-residential premises, where it is important to maintain order without putting much effort into it;
3. Aesthetics is especially important if there are often clients, business partners. The layout of the premises should also communicate the level of the company, ensure the creation of a business atmosphere.

Shops, malls, boutiques

This is where creating an attractive exposition comes to the fore. The main goal of the commercial area is to present the product in the most favorable light, for this, in the interior design of the store, designers use both a set of ready-made tools to increase sales, and experiment with new approaches.

Design of public spaces of any orientation

Polaris Design specialists also offer all interested clients the development of an individual design project or assistance in the implementation of ready-made solutions. The design of cinemas, hotels and hostels, and other meeting places for end users and businesses is our daily work.

The cost of the design project is calculated individually.