Luster paints, metal preparations are supplied in the form of liquid varnishes, packed in glass or special plastic containers with a sealed lid. Standard packaging (except for the preparation of gold, platinum) - 10, 50 grams. Preparations of noble metals are supplied in glass vials in portions from 2 to 15 g, each vial indicates the weight of the preparation with an accuracy of 0.1 gram.

Subgroups:

Luster paints (chandeliers). Luster paints, preparations, effectors Known problems and solutions Appointment. Luster paints are organic varnishes containing special compounds of bismuth, iron, titanium and other metals. During the firing process, organic substances burn out, leaving the thinnest (several microns) metal or metal oxide coating on the surface of the glaze, which has a high gloss and an unusual color. Paints are applied to the fired glazed surface. Often the luster firing can be combined with the firing of overglaze paints. CHOICE FOR CLUBS AND STUDIOS. Luster paints are not recommended for children! Main characteristics. COLOR. This is the main characteristic of paint. It is assumed that the chandelier is applied in a thin layer on a white surface, for example over a shiny transparent porcelain glaze or over a white shiny glaze. Applying to colored glazes in general gives uninteresting effects, since the thickness of the metal oxide film is very small and the main color shines through it. Many chandeliers, especially from Western manufacturers, have unusual color names such as "Aurora", "Ruby Coral". It is difficult to imagine the real color by such names without a fire test. APPLICATION METHOD. Basically, chandeliers are applied with a brush. However, if the chandelier is specified for another application, this is indicated. For example, chandeliers (preparations) for silk-screen printing. so-called. layering chandeliers have a low viscosity, which makes it easy to layer with tape, antennae, etc. SPECIAL EFFECTS. There are chandeliers with special properties to achieve special decorative effects, such as Ferro's "running" luster paints. An important characteristic that has the smallest value is the FIRE TEMPERATURE. In general, all luster paints are divided into paints on glass and paints on porcelain. Many can be used in both cases. As such, there is no firing temperature for luster paint. It is a thin film of metal or metal oxide. It is formed after the burnout of organic components. In order for the film not to be erased, it must adhere tightly to the underlying glaze, but not drown in it. Thus, the fixing of luster paints is carried out at the temperature of the beginning of the softening of the glaze: 780-810°C in the case of high-temperature porcelain glazes, 750-780°C in the case of "soft" majolica and faience glazes. Those. the final temperature is determined by YOUR products, not by the chandelier. Technology features. To obtain a high-quality chandelier coating, you need to follow some rules: 1. BEFORE APPLICATION. Make sure the surface is well cleaned and free of grease, dust, etc. Sometimes it is useful to wash the surface with a solution of soda, rinse thoroughly with water and dry. From the chandelier during storage, components that make up its composition in very small quantities can stand out, however, they strongly affect the properties of the resulting coating. Check the bottom of the container with the chandelier - if sediment is noticeable at the bottom, shake it off completely to avoid changing the characteristics of the chandelier (do this 2-3 hours before work). If there is no sediment, it is still recommended to shake the chandelier. If the sediment does not dissolve in the main mass of the chandelier, or flakes are visible in the mass, this portion is not suitable for work. 2. APPLICATION. Use a clean brush. Residues on the brush of another chandelier or washes may change color. If you are applying two chandeliers, use two brushes. After work, the brush is washed in solvents (turpentine is suitable) and hot water and soap. Apply the chandelier in a thin layer. Often the chandelier has a significantly different color in layers of different thicknesses. In a thick layer peeling, unstable fastening is possible. If necessary, the working portion of the chandelier can be slightly diluted with gum turpentine or special compounds (for example, S-3014), although, as a rule, luster paints cannot be diluted. Thinning is usually necessary for viscous fast drying paints to avoid "sticking" of the brush during layering, etc. operations. Keep in mind that dilution can drastically change the color. Products with a completely dried coating are put into firing, if it is not meant to obtain a marble-like surface. Pay special attention to the first firing stage - up to 400°C. In this interval, the lacquer base of the chandelier burns out. A rapid rise in temperature can lead to its delamination ("shrinking") or insufficiently strong fixation of the oxide-metal film on the surface of the glaze. Ensure a good supply of fresh air and do not raise the temperature above 400°C while the chandelier's organic matter is burning. Open the ventilation holes in the walls and door of the oven, turn on the ventilation. The final firing temperature is 780-810°C for porcelain, 750-780°C for "soft" majolica and earthenware glazes. Properly fired luster coating has a high luster and does not wear off when rubbed with fingers. Some chandelier paints have special application conditions, which are indicated in the description of a particular chandelier. Known issues and workarounds. Safety requirements. 1. Vapors of organic solvents. To avoid poisoning by organic solvent fumes, work with luster paints only in a well-ventilated area, both during application and while drying coatings. Do not leave paint containers open. Do not allow children to work with paints. 2. Organic solvents can cause inflammatory, allergic reactions upon contact with the skin. Wash the stained area with plenty of warm soapy water using a brush or sponge. 3. When working with paints, fire safety rules should be strictly observed, since all luster paints are combustible materials, and some are flammable materials. 4. During the roasting process, gaseous decomposition products of organic resins are released. Firing should be carried out with forced exhaust ventilation of the kiln, in a well-ventilated room or in a room with forced ventilation.

Hispano Moresque pottery, 19th century oldcrocks2

	Luster paints After firing, luster paints form thin iridescent films of various colors.
	Metal preparations Metal preparations are organic compositions of noble metals that form films of gold, platinum, and palladium after firing.
	Thinners and effectors Special compositions used to modify the viscosity of luster paints or to obtain the effects of marble, crackle, etc.

What do you need to paint a chandelier with your own hands?

Primer– either an acrylic primer or a primer for metal surfaces can be used
Acrylic spray paints– choose in advance the colors you want to paint your scooter. Now there is a huge selection of colors and shades of paint, there are paints with special effects - metallic, mother-of-pearl, fluorescent, hammer and others
Acrylic clear lacquer- it will protect the paint from damage, as well as give depth to the color and shine of the new chandelier coating
Respirator and gloves for protection during work
Solvent for degreasing the surface of the chandelier before painting (you can use white spirit, kerosene or special degreasing compounds)
Cloth napkins or just dry clean cotton rags
masking tape and paper or covering film
Screwdrivers and other tools for removing removable parts from the chandelier before painting

Preparing the chandelier for painting

Step 1 It is better to organize a workplace in the open air. You will need to hang the chandelier from something, such as a taut rope, a children's wall bar, a branch, or a garage ceiling. Cover the floor under the work area with something so as not to stain the surface with paint drops. Step 2 It is necessary to remove all light bulbs and other removable parts of the chandelier. If some elements that you do not want to paint cannot be removed, hide them with masking tape or plastic wrap. Step 3 It is necessary to thoroughly clean the chandelier, removing all dust, cobwebs, dirt and other contaminants, of course, if you do not want to imprint them permanently under the paint. Start by wiping the entire chandelier with a dry cloth. If there are parts that need more serious cleaning, use a damp cloth and mild detergent to clean. Let the chandelier dry completely.

Step 4 It is advisable to degrease the surface to be painted with acetone, kerosene, white spirit or any special degreasing agent.

Chandelier painting process

Step 5 For best results, prime surfaces with an aerosol primer before painting. Applying it from a spray can with wide strokes from top to bottom. It is better to apply several thin coats than one thick coat of primer. Hold the can at a distance of 15-20 cm from the chandelier. If you try to spray from a shorter distance, the primer may leak. If this happens, let the primer dry completely, sand down the smudges with fine sandpaper, and reprime. Step 6 I hope you have already chosen the right paint. Today, any master has access to spray paints of completely different colors and shades, paints with special effects - metallic, mother-of-pearl, fluorescent, etc.

Before starting work, shake the paint can well so that it mixes well and has an even consistency. Apply spray paint using sweeping motions, trying to paint from top to bottom to avoid streaks.

Step 9 After making sure that the paint and varnish are completely dry (usually it takes 2-3 hours for the final drying), the lusbra has ceased to "stick", remove all masking tape and protective film. Assemble the chandelier by attaching all the removed parts and light bulbs. Install a freshly painted chandelier in your home.

If you followed the proposed technology and were creative with painting, then you will enjoy not only the process of coloring, but also the result that you got!

- an interior item that can not only give the necessary level of lighting in the room, but also become the main element of decor. But fashion, as you know, is a capricious lady, and psychologists recommend changing the situation in the house from time to time. Replacing furniture will cost too much, but you can give a completely new look to your favorite chandelier on your own and at minimal cost. Let's figure out how to paint an old chandelier and what you need for this.

How to give new life to your favorite chandelier

Old chandeliers are not only dear to us as a memory, but also of excellent quality. Yes, and updating a lighting fixture is much cheaper than buying a new chandelier, although modern chandeliers amaze with a variety of decor and aesthetic appeal. There are quite a few options for updating a chandelier. This is the painting of metal parts and shades, the replacement of the old lampshade, additional decor, with the help of which the lamp will acquire a special style and a completely new look.

Let's look at how to paint a chandelier, what is needed for this and the stages of work.

Preparatory stage

Before starting work, you need to prepare everything. For painting you will need:

Primer, best of all acrylic (you can take another one, but be sure to use the one that is designed to cover metal surfaces);

Can of paint (acrylic aerosol). Look great metal elements with a pearlescent, fluorescent coating, metallic paints, patina, with a hammer effect;

Gloves, rubber or thin textile, and face shield;

Degreasing agent (solvent, kerosene, acetone, etc.);

The rag is dry and clean;

Scotch tape.

Next, you should prepare the object of staining. Let's say right away that the chandelier must be removed, and it is highly desirable to carry out work in the fresh air or in a well-ventilated area. First you need to hang the chandelier and unscrew all removable elements. What cannot be removed, but is not planned to be painted, paste over with tape or cover with a film. If your flooring is expensive, cover it, because paint can not be avoided. Thoroughly clean the surface from contamination, if it is necessary to use detergents, let the chandelier dry. Degrease the entire surface.

Staining steps

Alkyd enamel or acrylic paint is best suited for staining. Enamel holds well and looks great, but you need to apply at least three layers. Artistic acrylic is rather unstable, it must be varnished, but aerosol is ideal for this. It is enough just to paint the chandelier from an aerosol can. Staining is done as follows:

From top to bottom, thin layers (optimally three layers) of an aerosol primer are applied in wide stripes;

Shake the can several times to mix the paint;

Staining is done with wide strokes, and in order to avoid streaks, stain from top to bottom;

Between applying layers, you need to wait half an hour for the paint to dry;

For more intense color, apply more layers of acrylic;

To add shine to the product, apply a layer of varnish (acrylic) over the paint.

After that, you need to let the chandelier dry completely, and then you can collect and enjoy the result.

How to paint chandelier shades

If everything is quite simple with metal elements, then the question of how to paint the chandelier shades is somewhat more complicated, because they are made from a variety of materials. Updating plafonds is a creative process. You can create a truly original and unique thing using lace and fringe, beads and beads, decorative chains and cords. If you take an old ceiling as a basis and decorate it, it will look original and extraordinary, and the fact that this miracle was done on your own will inspire everyone, please and give the product a special value.

If you want to do painting or full coloring, but don't know how to paint a chandelier's glass cover, let's see what materials are best for this. First of all, it is worth considering that the paint must have heat resistance (after all, the shades heat up quite noticeably), not burn out and not “peel off”.

For painting glass, ceramic and plastic shades, paint made on the basis of a plastic emulsion with the addition of finely ground pigment, known as acrylic, is best suited. It is divided into two types: covering (opaque) and stained glass, which perfectly transmits light. You can buy such paint in specialized art and construction stores, but be sure to make sure that the packaging indicates that the paint is intended for painting glass.

An ideal option for coating glass shades would also be zaponlak. It is made on the basis of nitrocellulose, can be transparent or with the addition of dye and plasticizers. The varnish has excellent qualities and is applied to almost any surface. It is non-toxic, and the coating is wear-resistant and, as they say, "especially durable".

You can completely cover the ceiling, or you can be creative, apply ethnic or abstract, geometric or floral designs. This will allow not only to give the chandelier a new, fresh look, but also to fit it perfectly into the interior of the room, to emphasize the stylistic design of the room.

No matter how you decide to paint the chandelier, ceiling lamps or base, the main thing is to follow a few rules: degrease all the elements of the lamp, choose a safe and heat-resistant paint and do not forget that everything in the room must be designed in the same style. With a minimum of effort and maximum imagination, you will get your "old" chandelier in a completely new and beautiful form!

For glassware

Initially, glassware was made by blowing up, over time, production technologies have improved. Modern methods of manufacturing glassware allow you to create diverse and multifaceted products. You can add individuality and luxury to glassware with the help of our materials.

• Luster paints for glass
• Liquid gold for glass
• Decal for glassware

Luster paints for glass

Luster paints (chandeliers) for glass are solutions of organic compounds of metals and resins in organic solvents and a thinner for non-gold-containing luster paints, which is a mixture of organic solvents and essential oils.

The main field of application of luster paints is the decoration of glass products by applying a thin film to the products and its subsequent firing. After firing, the thinnest coating remains on the glass, which has a characteristic metallic or mother-of-pearl, iridescent color and high gloss.

To dilute non-gold-containing luster paints, a thinner is produced - No. 8.

The range of temperature firing of luster paints is 560-580°C, with holding at the final temperature for 5-10 minutes. Roasting is recommended to be carried out in an oxidizing environment. The kiln must be ventilated.

Luster paints are acid resistant.

Precipitation is allowed during storage of luster paints. Shaking immediately before use is not recommended.

Paints 260, 303, 316 do not contain gold.

Chandelier is a thin transparent film that is applied to the glazed surfaces of faience and porcelain products so that after firing they acquire an iridescent metallic sheen.

Luster preparations, paints, effectors

Chandelier paints are organic lacquers to which special compounds of iron, titanium, bismuth and other metals are added. During firing, organic substances burn out and a very thin layer (several microns) of a metal-oxide or metal coating is formed on the surface of the glaze, which has an unusual color and high gloss. Paints are applied to the glazed fired surface. Quite often, luster firing is combined with firing of overglaze paints.

It is not recommended to use luster paints when working in children's circles and studios.

The main characteristics of luster paints

Color is the main characteristic of paint. The chandelier should be applied in a thin layer on white surfaces (for example, over a transparent shiny porcelain glaze or over a shiny white glaze). When applied to colored glazes, interesting effects are created, since the thickness of the metal oxide film is extremely small and the main color shines through it.

Application method. Chandeliers are mainly applied with a brush. Often luster paints are applied in a strip on the inner surface of the cups. If the chandelier is intended for a different method of application, then it is indicated. For example, there are luster preparations for silkscreen printing. There are also trimming chandeliers that have a high viscosity and are applied with a mustache, tape, etc.

Specialist. effects. Chandeliers are produced with special properties, which allow achieving special decorative effects (for example, Ferro “running” luster paints).

An important characteristic of chandeliers is the firing temperature.

All luster paints are divided into paints for porcelain and paints for glass. Many of the luster colors can be applied to both glass and porcelain. There is no firing temperature as such for luster paints. As a result of the burnout of organic components, a thin film of metal oxide or metal is formed. In order for the film not to wear off over time, it should be firmly adhered to the underlying glaze, but not drowned in it. The fixing of luster paints is carried out at the temperatures of the initial softening of the glaze (about 800C, if porcelain glazes are high-temperature and about 750C, if faience and majolica glazes are used). Obviously, the final temperatures are determined by the product, but not by the chandelier.